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| Beautiful Lehinch beach at dusk, 4th February, 2012. |
Working with clay as my medium, there is also a focus on the sense of touch and so perhaps more than others, I often struggle with an incredibly strong urge to touch things. This generally happens when an item is extreme in the sense that it looks especially soft or smooth or particularly delicately engraved or embellished. My body seems to sense the capacity for extra satisfaction to be gained beyond the visual; an urge for a tactile engagement.
In Budapest I visited the Margaret Kovac museum. This contained a collection from the life works of the ceramic artist after whom the museum was named. One room within museum, to my surprise and delight was dedicated to the visually impaired and contained incredibly accurate reproductions of some of Margaret's figurative pieces. These pieces were meant to be touched. They invited the visitor to place their hands on the cold ceramic surfaces and experience textures and details and the very forms which she had modelled with her own hands. For me, this tactile interaction put her work on a whole new level. It gave me an extra dimension of engagement, a deeper connection and so, a greater appreciation for the pieces. On a personal level, it also left we with a lovely sense of satisfaction upon leaving, a sensual satisfaction.
Lately though for whatever reason, it has been my sense of hearing which I have been most aware of. Last Saturday, at that brief transitional time when light diminishes and darkness begins to conquest, where for a few minutes day and night seem to equally exist simultaneously, I walked on the beach. There was enough light left to illuminate the sea and the horizon and allow them to glow, all be it dimly, with a perfect combination of blues and purples and whites and pinks, while the sky inland revealed a hazy moon and the first twinkling stars. Though completely delighted by the visual exquisiteness, it was however the sound that struck me most. The stillness of the sky, bathed in beauty was perfectly complimented by the noise of the sea, the waves ebbing and flowing, not in any way angry, but with their natural power; a strong, rhythmical, solid sound, so very beautiful and somehow so comforting. It was the kind of sound that made me close my eyes, breathe deeply and allow for a tranquil contentment to occupy my whole self.
Yesterday, I sprinted through the carpark and down the slope, in the wind and lashing rain, feverently trying to keep my hood on my head and my bag from being soaked. I punched the code on the wall, pulled the door with far more effort than necessary and incredibly gratefully landed myself in the dryness of the kiln room in college. As I took down my hood and tried to physically compose myself, and catch my breath, I was suddenly aware, not of the warmth and brightness, but the beautiful clam into which I had just entered. Jason's radio, permanently set to Lyric FM, was emitting the most lovely piece of classical music. It seemed to reach every dusty surface and crevice of every kiln and every shelf and create a haven where chaos and stress could never exist.
It wasn't that I was never aware of sound or music before and how they create atmosheres but it seems that lately I have been simply touched particularly by my aural sense in a way that I usually reserve for the visual. I can't wait for the next poignant sounds to reach my ears*
